BUDOKAN Martial Arts

Serious about Judo & Jiu Jitsu? Study this well.

http://video.google.com/videoplay?docid=3346298601525244862#

Kyuzo Mifune (三船 久蔵 Mifune Kyūzō, April 21, 1883 – January 27, 1965) has been categorized as one of the greatest exponents of the art of Judo after the founder, Kanō Jigorō. He is considered by many to be the greatest judo technician ever, after Kanō. Mifune was born on April 21, 1883, in Kuji CityIwate Prefecture, on Honshū Island in Japan, a year after the Kodokan was founded. He was reportedly incorrigible as a boy, always performing some mischief or organizing others in a similar pursuit. When Mifune was 13 years old, his father, a strict disciplinarian who finally gave up on the youngest of his seven children, sent the boy to a junior high school at Sendai, in northern Japan. There, the young Mifune discovered judo, and decided to dedicate himself to it. At age 14, he defeated nine opponents in a row at one tournament with another high school.

Early life

After graduation, Mifune was sent to a Tokyo preparatory school, anticipating entry into Waseda University. He immediately attempted to join the Kodokan. In those days, this required a personal interview with Kano, upon the recommendation of ranking judoka, and then signing a blood oath. Mifune did not know anyone at the Kodokan, but picked out Sakujiro Yokoyama, who then had a fearsome reputation, as ‘Demon Yokoyama,’ whose fast, powerful judo had gained much reputation for the Kodokan. Mifune literally camped at Yokoyama’s doorstep until the latter consented to recommend him to Kano. In July 1903, Mifune joined the Kodokan. His father, finding out he was spending more time at judo than studying, cut off his allowance, and Mifune, now 22, went out to find work. He began a newspaper, sold advertising, and built it into a thriving enterprise. He was able to sell it at a substantial profit, and entered the economics program at Keio University.

Technician of judo

 

Mifune (left) in training with Kano

After 15 months of training, Mifune achieved the rank of shodan (‘beginning dan,’ indicating 1st dan ranking) in Kodokan judo and after the remarkably short time of four more months, nidan (2nd dan). Through timing and speed, Mifune quickly gained a reputation, and was never defeated at the annual Red and White Kodokan tournament. By 1912, he was ranked rokudan (6th dan) and an instructor. He was already being called the ‘God of Judo. He was 30. His father recommended a girl in his hometown, and, for only the second time since he had left home, he returned to marry.

During the next 20 years, Mifune’s reputation continued to grow. When he was 40, he was challenged by a 6′ tall and 240 lb. sumo wrestler. Mifune, 5′ 2″ tall and 100 lb., finally slammed the wrestler with his trademark ‘airplane’ throw (kuki nage or uki otoshi). He ate sparingly, slept on a Western-style bed, and did not smoke. In 1937, Kano promoted Mifune to the rank of kudan (9th dan).

With Kano’s death in 1938, Mifune became the most influential instructor. Students had long complained that Mifune would get carried away with lectures, and he was “feared more than loved.” On May 25, 1945, he was promoted to judan (10th dan), the fourth of 18 judoka to ever be so honored. In 1956, he wrote his classic book, The Canon Of Judo, still a remarkable exposition of judo history, philosophy, and technical description. To E. J. Harrison, he wrote a book foreword that was simple but expressed Mifune’s philosophical nature: “Freedom in continuous change!”

Trevor Leggett, a frequent visitor to the Kodokan over many years, remarked that judo was much ‘rougher’ at the Kodokan prior to World War II than afterward; this was, perhaps, the influence of Mifune.

Mifune died on January 27, 1965, in the Nichidai University Hospital in Tokyo.

2 responses

  1. If you cannot understand the language, this means you have not been coming to practice enough, our Judo and BJJ schedule can be found at http://www.budobjj.com. Judo is with Professor Harry St Leger & Jiu Jitsu is with Sensei Nardu Debrah. This is in the language of movement.

    Notice the end randori matches, the subtle placement of grips. The smooth transitions and the ability to become a “empty gi” against much younger and heavier opponents, the ability to float, or ride the wave. the keen sense of timing compounded with leverage and simplicity is what makes the art of Judo the gentle art.

    April 3, 2011 at 11:46 pm

    • coach

      April 12, 2011 at 11:10 pm

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